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John Updike at Benaroya Last Night, Exactly As It Happened

John Updike

[The rustling of silk scarves and the murmur of sophisticated conversation dies down as the lights darken.]

Seattle Arts and Lectures Woman (in monotone): I'd like to set the tone for the evening by reciting some pious generalizations about literature and truth.

[Does so]

Now please welcome David Guterson, some woman who's associated with the museum or something, and John Updike.

[Subdued applause, plus me drunkenly screaming things such as "Woo!" and "Yeah!" while heads half-turn my way in stern disapproval]

David Guterson: In keeping with both the previous remarks and my own writing style, I'd like to ask you, Mr. Updike, a series of mind-numbingly banal questions.

[Does so.]

John Updike: Thank you. I'm far too courtly not go along with your determination to stifle all spontaneity from this evening, so I will now answer all your stupid questions in a thorough and thoughtful fashion, with occasional flashes of my trademark wit and impish humor.

[Does so.]

David Guterson: Thank you. And now I'm going to turn you over to the woman who's associated with the museum or something.

Woman Who's Associated With The Museum or Something: Since you are perhaps our most important living writer, and this may be a once-in-a-lifetime opportunity for most people to see you, I'd like to turn this into a big fucking commercial for the Edward Hopper show at SAM. Could you please comment on these slides of his paintings? Since the screen is directly behind us, the only way for you to see them will be to stand up and awkwardly crane your neck.

John Updike: OK

[While awkwardly craning his neck makes some apparently off-the-cuff remarks on the slides, full of musical Updikean phrases like "The front porch is a box of light" and "the radiator crouches in the corner like a toad."]

David Guterson: Now we have some more stupid questions, this time from the audience. Because we are the most literate city in the country, some of these questions will contain the word "insouciance."

[Reads the questions]

John Updike: I think I may actually be in a coma at this point. And yet the end is in sight, so I will answer these questions quickly.

[Does so]

Seattle Arts and Lectures Woman (in monotone): Thank you, Mr. Updike.

John Updike: Yes, I'm sure of it now. Definitely in a coma now. If you could please load me on a gurney and take me back to the Westin now, that would be super.

Topics: Books & Authors

Permalink | Comments (2)

Comments

This is news to who?

Very amusing, if not insouciant. I would enjoy a follow-up article on WHY the event was so vapid — or maybe on why Guterson was, as his book East of the Mountains was not.


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Columns

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    To buy or not to buy? That is the question.
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    The Jonas Brothers want...more brains!
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    The NYT and others are reporting that a new MSFT ad campaign will prominently feature the tween rockers. The spots are built around the catchphrase "It's more fun time." (Not something you could ever imagine Steve Ballmer saying.) Given that gamers are overwhelmingly male (not the brothers' fan base), it's unclear how the clean-shaven, Disney-created trio will connect with those who prefer Grand Theft Auto and first-person shooter games to bubblegum pop.

    Unless, of course, a game can be developed that features the Jonas Brothers as evil, brain-eating zombies who, with the power of their their stupefying music, turn millions of preadolescent girls into their army of slaves. Oh, wait...

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    UPDATE: Another former band member disowns the shirt. Details after the jump.

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    A local hardcore metal group didn't have the same reaction as most Seattleites to the assassination of Officer Tim Brenton. Whereas most of the city saw the murder of a cop as a good time to remember that peace officers have a very dangerous job and we should be thankful for the work they do, the charming fivesome that is Furious Styles (that'd be those fine gentleman to your right) decided now would be a good time to make money selling t-shirts.

    Topics: Crime & Punishment
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    Released in September of 1994, The Sporting Life is passionate and violent. It's a rock record to the core with Pete Thomas on big drums and Jones on bass. The first track, "Skôtoseme," establishes a rock-groove rhythm section you'd expect from Jones, and this keeps consistent throughout the record. Galás gives a voice that wails in precision over the bass and drums.

    There's no electric guitar and perhaps that would have been redundant - or even stock - considering the unique instrument that is Galás' vocals. It's piercing and intense. Put all these parts together and you've got a heavy rock band that not only has you bobbing your head to the groove, you also recoil from the sheer ferocity.

    Galás plays keys also. There's soul with the old tune "Dark End of the Street". The songs are compelling and tend to menace. Galás wields a knife on the cover of the album and you'll find out her intentions with the tune, "Do You Take This Man?"

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